See Modulator Devices for information on using the modulator devices and Expressions for more on the Expressions device. Mapping is done with the PRES modulation source, which is available on any device or plug-in via the Expressions modulator device. Rather, it can be used to freely modulate one or more parameters of the track's instrument device (see The Unified Modulation System). But the pressure expression here has no fixed purpose. Once an initial point has been defined, additional expression points can be created and edited in the same way that automation points are (see Drawing and Editing Automation).Īs the word pressure suggests, this expression is similar to the idea of polyphonic key pressure (or aftertouch) from MIDI. To draw successive notes within a note clip: hold ALT, and then click at the position of the first note and drag to the position of the last note. The requires the Pen tool to be selected. Quick Draw is a feature that allows you to draw multiple notes at once. To set note length while drawing a note: continue to hold the mouse down, and then drag left or right to shorten or lengthen the note.Īfter drawing a note with an adjusted velocity or note length, these values will be the new defaults for notes drawn into this particular clip. To set velocity while drawing a note: continue to hold the mouse down, and then drag up or down to adjust the velocity. You can also adjust these values while drawing each note. Notes will be given a velocity of 78.7 % (the equivalent of 100 out of 127) and a length of the beat grid value. To draw an individual note within a note clip: either double-click while the Pointer tool is selected, or switch to the Pen tool and then single-click within a note clip. In addition to recording or importing note clips, you can also draw notes into a clip from the Detail Editor Panel. Let's sharpen our tools for working with that other type of musical content: note events. And after revisiting the Inspector Panel in the context of notes, we will take a look at the Edit View, the third and final panel set. We then will see the last face of this panel as it allows us to work with multiple clips and tracks simultaneously. We will begin by revisiting the Detail Editor Panel to see how it works with note events, as well as the vast per-note modulation capabilities of Bitwig Studio. And consistent with the rest of this document, ideas that reappear will reference the section where they were first discussed. Accordingly, the format of this chapter is highly similar to the previous one, with many of the same issues and concerns being presented from the perspective of notes. The other is note events - or simply notes - which we will investigate in this chapter.Īs the introduction to the last chapter suggested, these two chapters are really parts one and two of working with the contents of clips. One form is audio events, which was covered thoroughly in the last chapter. As we work with Bitwig Studio to assemble music, there are two forms of source material that we can use.
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